Company Logo Production

Thursday February 19, 2026

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Now for my logo I knew I wanted it to have a vintage feel with a cursive font; something pretty, but still portraying my vibe well. I decided to utilize Canva when making my logo and ended up having to chose between a plethora of options, which was a really tough decision. But before I could pick a design, I wanted to come up with a name first. I sort of wanted it to reflect the vibe of my story, having contrast between whatever design I chose and the name. After some thinking I landed on calling my production company "Saturday Sun Productions"; in having the name portray a warm vibe, putting it against a black and white design created juxtaposition between the two, just like my film opening. 

I really liked the look of an old film roll, or like a black and white movie credits; something that felt gritty and vintage was the overall look that I wanted. To kind of have a nod to hold films and the countdowns that were featured before the film. In addition to that, I will be including the audio of the old film because I didn't want it to be completely silent. It won't be very loud, just something in that background to get people intrigued.

I started playing around with different fonts, colors, and transparency to create a sort of flow throughout the logo. In making it, I wanted it to be appealing while still setting up the story ahead.

Link to the process!: Film opening logo

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Now that is all for what will play before my film opening, but for the stand alone logo, I wanted it to carry the same sort of vintage vibe. I used a font similar to the one above, still carrying that classy and clean vibe throughout them both. I did an inverted version of the opening above for the logo, having the gradient come from the middle as opposed to from the sides.

Link to the process!: Logo production

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Again, I wanted it to look visually appealing to the audience, while still having a timeless/vintage vibe about it. I went through a ton of different color combinations, stickers, font sizes, and gradients to land on the logo that I created. I love the look of darker colors mixed together, so I decided to go with black and gray for my overall color scheme. Having the gradient be under the text and designs really pulls the viewers focus into the logo and name of the production company; which in return sparks curiosity.

With the idea of utilizing the look of old film, I pulled majority of inspiration from black and white movies when creating this logo. The cursive writing and pretty visual choices really give a nod to those cut scenes in black and white movies, especially the silent ones, where it says what the character is saying. In taking this creative route, I want it to reflect the overall film opening. With having the background be all dark colors with cursive writing on top, it communicates that even within the dark, there can be beauty. Which is what my film is about.

Examples of inspiration

Filming locations

 Wednesday February 18, 2026

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When I first started thinking about where to film, I knew that I wanted it to be a very beautiful and dreamy place. For the outdoor scenes that is, I landed on Markham park and Vista View park. I have been going to these places since I was little, so it almost has a bit of a personal touch to it. 

Vista View is a park sat on top of a big hill (probably the highest point in Florida thats nearby) that overlooks the city, you can even see Ft. Lauderdale from up there. It's one of those places that would be perfect to film at because of it's quietness and atmospheric feel. The sun also hits it perfectly at golden hour, closer to sunset, to get that really warm and angelic feel and I think thats the time that i would want to film there. I want the location to reflect Lee and the "sunshine" that he portrays to the people around him, almost creating symbolism through the golden light. This location is almost going to communicate the last little bit of light that Lee has in his eyes, and Violet won't notice that anything is wrong with him because of the environment around them. The beauty that is consuming them becomes the reason that the scene following even happens, Lee wants to die having a good last memory and this was just that. Just the sheer vibe of the park really drew me to it and made be pick it in the first place, I think it will be a really beautiful location to film, especially for my happier flashback scenes.

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Now for my sad flashback scenes, where Violet will find Lee, I decided on going to Markham park. I have gone here to film some of my previous projects and it is a great place to get a more sad and somber tone through the wooded parts of the park. I want to primarily film within the woods areas or the bunny trail, really just to have a covered/ enclosed environment to add a sense of being trapped, because that is how Lee if feeling. I still want there to be some sunshine within these scenes, but now that same golden light that was shown in the scenes prior. I want it to convey the dying spark inside of him to the audience, through things like having the trees block the sun and the light being a different color. Between the sheer juxtaposition between each scene, it will make it evident that Lee was just hiding how he truly feels, and Violet won't find out until its too late. I think that Markham park is a perfect location to tell how his life ended and portray those feelings to the audience through setting. Even though both places are outside in nature, each of them tell a different story between the two characters and I really want to show that.

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As I mentioned before in my last post, I already wrapped filming the opening and closing scenes of my opening. Those scenes were shot entirely in my sisters room, I wanted her and her character, Violet, to be connected through her room; which create a sense of authenticity within the character. I've said before that the all white surroundings is engulfing her, creating a sense of purity, however, with the dark and lowkey lighting, Violet stands out against it. Almost having her own essence around her, and it isn't the angelic feel that is seen later in the opening. She feels defeated, and it is extremely evident that she has let every bed thing consume her and isn't trying to fight it off anymore. I really want to show those feelings and message through having her in only her bedroom, showing a sense of numb/ tiredness, which is common in depressive cases.

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With those places in mind, I want to make it a point to get all of the shots/ scenes that I have in my head out though my camera. I will most likely wrap filming as a whole over the weekend, then begins the editing process! 

BTS of filming so far

Tuesday February 17, 2026

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Last week we filmed the opening and closing scenes. These were shot in Somas bedroom; I wanted to utilize a space like this because it already felt so personalized and unique to her and her character. For the first day of filming it went pretty well, I got all of the shots that I needed from my story board and some additional ones, just in case. I made it a point to overshoot, in the slim chance that I need one more frame or the clip that I got was blurry.

The setup was simple, we had a tripod that we moved around to get specific angles and used it to capture every shot without it being too shaky. For one of the shots, I had to place the tripod on top of my actor to get an exact overhead shot of her laying down. I really love how the scene turned out and I think it really sets the mood for the rest of the piece. 

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In addition to setting the mood, my sister, who plays Violet, really wanted to act out and portray her character in a sad light. So she used water droplets to make it look like real tears in the closing scenes. While we were filming it, I could see the essence of her character come to life, and I think she did a great job in helping that happen. 

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While I only filmed one of my actors on day one, my other actor, Aiden who plays Lee, was helping me set up the tripod to get each scene/ frame perfect. Now Aiden is in CBTV so he has had previous experience with cameras and the ins and outs of the filming process. It was really nice to have an extra set of hands to help me film, whereas I have never shot and directed a short film at all. 

Now for Lees scenes, I am planning on filming those late this week/ into the weekend. I am pretty confident that I can get the rest of filming done in a day, maybe two. I have had a bit of interference with my premade schedule due to some of my other classes. I am running sound for one of our upcoming musicals, so I will have to balance that with the rest of my filming. It will be tough but I am certain that I can do it!

For the remaining scenes that I need to film, I will be going to two separate parks, to kinda create two different memories; the good and the bad. Like i've mentioned in my previous posts, it is going to be a sort of "dream sequence", mixing flashbacks of memories with Violet still feeling the same feelings she did when and before Lee died. I will dive deeper into it when I wrap up filming, but for now I will keep you posted!

Links to BTS videos + photos: Day 1 BTS

Taking a closer look into Mise-en-scene #2 (costuming)

Friday February 13, 2026

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Flashback Scenes

For the costumes I want to keep it fairly simple, especially for the flashback/ cutaway scenes. I want Violet's costumes to be primarily white and flowy. to convey an angelic and pure connotation to the audience. I want Lee to sort of see her as an angel to symbolize what he will become. In having her look beautiful and angelic, it's a way to show how Lee sees her. I also want to have her in all white or a light color against the green/ nature background to portray rebirth and growth; it in return hints at Lee, without directly saying anything. With him being portrayed through Violet reveals just how important that he was to her.

The main goal is to convey her in the way that Lee saw her before his death, he didn't want to hurt her, but he wanted to die with the memory of her being beautiful and not hurt by his own actions. I just want these overall scenes to be extremely dreamlike and hazy, to show that the memories are fading, but she is still holding onto it.

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Now for Lee's costume in the flashback/ cutaway scene, I want to have his colors get increasingly darker the farther the scenes progress. This symbolism represents the decline of his mental state, and in having this be shown through the colors that surround him, it makes it clear that he is hinting at his death without explicitly saying it with dialogue. In having his costume being black/ dark colors, it makes the atmosphere around him feel unnatural or seemingly decaying. This symbolism quite literally represents his character and the way that Violet viewed him right before his death. She never really knew how deep it ent, however, the decline in his colors and mood made her a bit worried, but by the time she figured it out, it was already too late. 

To add on, when those kind of dark colors are paired with the green background, it represents a seemingly "disease" like feeling. With that "disease" being his depression and how it is consuming his entire being. Like I mentioned before, Lee wanted to see Violet in a angelic way before he died, but in doing this he forgot about himself. It becomes increasingly obvious that his hair gets messier, his eyes lose their life, and his feelings turn numb.  I want to really show that symbolism through his looks, to create an impacyful story through visuals.

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Opening and Ending Scenes

 Now for Violets scenes alone, she somewhat takes the place of Lee. In having her colors take such a dramatic shift from pure and angelic, to dark and depressed, it represents that she if falling into that same numbness that Lee had. This brings a sense of moral ambiguity, showing that she is trapped between the memories of her lover and the present without him. She hasn't excepted the fact that he is gone, so she surround herself in dark colors to still feel like there is a sense of him there. She will also be wearing one of his sweaters to add onto that. 

With having the opening scene showing her in full dark gray, surrounded by her white sheets, symbolizes the fact that that angelic feeling is still in there. The way that Lee saw her is still with her, even if she doesn't know it. It's pulling focus onto Violet and showing the same mental decline that she experienced with Lee, adding a bit of isolation mixed in between. Like I said before, it's like she is still bonded to the memories, revealing the trauma that she is still holding onto and refuses to let go.

Taking a closer look into Mise-en-scene #1 (lighting)

Thursday February 12, 2026

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 Through the lighting, I want to portray the sheer juxtaposition between their happy scenes together and Violet's alone scenes. From the very beginning I want to establish a very dark and somber tone, and I want to achieve this by having low-key lighting. The room will be mostly dark, except for the light that penetrates through the curtains and that would be considered a key light. But, depending on each shot, it will change from a key light to a fill light, as it will be shined on her face from an angle as opposed to being head on.

I want the lighting to convey those same depressed and unmotivated feelings that Violet is feeling to the audience. With the curtains closed and a small amount of light peaking through, it almost represents her character at that moment. Cutting everyone and everything off to live in her own sadness, but that light will shine through again. That light represents Lee, and it comes back full circle with the juxtaposition between the dark and warm lighting of each scene. 

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With the scenes of Lee and Violet together, I want there to be a warm and happy tone to the lighting. To achieve this as accurately as possible, i'm going to shoot most of these scenes outside or with a generous amount of natural light from the windows if need be. 

Each scene is going to be communicated through these warm tones, and I want the audience to feel the sheer love and warmth just from the visuals. I am going to definitely take advantage of golden hour at both of the outside locations i'm going to film at. Within Lee's mood board in my previous post, he is shown as being very light and full of life. I want to symbolize this through the light of the sun and golden hour because it's something that reminds Violet of him. And in having their happiest scenes being in these warm environments, it adds to her pain of not being able to feel that warmth again internally. 

My plans for audio

Tuesday February 10, 2026

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When it came down to the audio elements of my film, I knew right away that I wanted to get permission to use a song from one of my favorite artists. Now in doing this, I wanted to have options; so I ended up messaging/ emailing 3 separate artists. And I got conformation from all three that I could use their songs; for me this was huge. I wanted to reach out to as many people as I could so I would have a better shot in having one of them respond with a yes, I was not expecting to get clearance from every artists that I asked. With this in mind, I made sure that I specifically messaged artists that have either produced the music themselves or owns the record company under their music. I found that it would be easier to get permission if it's an independent artist, so I wouldn't have to go through the long process of applying for a license and messaging with representatives from a major record company just to not get permission.

I reached out to the artists Elliott Fullam, Your Arms Are My Cocoon, and Ebril. They are all niche artists, and that made it a whole lot easier go reach out and get a response almost overnight, as opposed to waiting several days or even weeks. Each song that I picked all match the overall mood of my piece. They are extremely hard hitting and emotional songs that I personally connect with. I wanted to chose a song that I loved so it could add that much for meaning to my film, I think that the song is a major part of my film and I want it to compliment what is being shown visually. 

The process that it took to reach out to each of them was fairly simple. I messaged them through their instagram and their business/ inquiries email (I got more responses through emailing). I explained in my message that I wanted to use their song in my self-made student film for my Aice Media class. All of them responded with a yes and wished me good luck on my project! The attached photos within the link bellow are my emails/ dms and the responses that I received.

Link! - Artist conformation file

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Now with weighing my options and taking everything into consideration, I think that I will go with the song "Metamorphosis" by Your Arms Are My Cocoon. This song is one of my favorites of all time and it perfectly captured the essence of sadness mixed with hope. As I listened to the song to really solidify that it was the one that I wanted, I came up with an idea. In the film, Lee will be associated with butterflies, and Violet will be associated with cocoons. In having this, she will essentially go through a metamorphosis of sorts to come back to her sense of self. With utilizing this symbolism mixed with the overall context and vibe of the song, it will make the opening that much for impactful.

Aside from music, I want there to be very limited dialogue. I have mentioned this aspect before in some of my previous blogs, but I really want the visuals and music to speak for itself without the use of talking being the main focus. I will most likely use dialogue in the flashback scenes. I want the opening to convey a warm and nostalgic feeling in those said flashback scenes.

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Song links:

Metamorphosis - Your Arms Are My Cocoon

Going Alone - Elliott Fullam

Stranger In You - Ebril

Developing the Characters

 Monday February 9, 2026

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Now that I have fully figured out what I want to do with my story, it's time to start putting my ideas into action. My piece will focus on only two people. With my sister Soma playing "Violet", and her boyfriend, Aiden, playing "Lee". In having the focus be pulled to such a limited amount of characters, leaves room for the audience to really understand them on a deeper level. Each of them will have a joined understanding of one another, and I really want to portray that on screen. By conveying two people that have been through thick and thin, having the story leave off on a heightened somber tone reveals that she will have to do this alone. Throughout my previous posts, i've mentioned having mental health drive my characters and I want to communicate that effectively to the viewers. In having experience with issues such as depression and anxiety, I want to show how it feels internally, while portraying it externally through the screen. It's all communicated through the face/ body language, without explicitly using dialogue to get the point across.

From the very beginning of this project, I have been accumulating photos and adding them to a Pinterest board to help with my creative process. I love doing this for major film projects so I can clearly see the vision I have in my head be communicated through pictures. With that being said, below are my characters and collages that I created to represent them. 

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"Violet"

Played by Soma

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Her character will have a very soft and sweet vibe, which correlates with her personality. I want to convey her heartbreak not only through her clothes/looks, but through her overall vibe as well. So as you watch her on screen, you can feel all the feelings that she is dealing with.

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"Lee"

Played by Aiden

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I want to portray Lee's character in a very warm light. The juxtaposition between his vibrant and warm external tone and his cold and depressed internal struggle create layers to his character. In having him not let anyone see how he is truly feeling behind the warmth, makes his death that much more impactful.

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Link to mood boards: Mood Boards!

Shots and composition, how it adds to the story

Friday February 6, 2026

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For this week, my class was tasked to have a group meeting with each other and discuss each of our ideas/stories regarding our film openings. Unfortunately I was unable to attend school due to a sickness and missed the meeting. So for this week I was given an alternative research assignment of my choice and I want to look farther into the shots and composition in coming-of-age films.

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I want to really highlight the main characters isolation right off the bat, by utilizing tight close ups. This expresses the feeling of being trapped and confined within ones mind, without saying that explicitly. I want to move the story though the specific shots, having the shot types aid the storytelling, as I won't be using any dialogue. Along with close ups, I want to use zoom/ pull ins to really capture the raw and unfiltered emotion that I want to portray. I would also incorporate the subject not being centered because it adds a sense of being unbalanced, but that is how the character is feeling in the present moment, unbalanced. Seemingly missing her other half. 

I want to show the immense pain that she is in by having a sequence throughout of her crying, and that scene being sliced multiple times by some happy memories and some dark. I want to do this as a way of portraying her remembering these things in real time, as if to see a glimpse into her mind at that moment.

Ex. Perks of Being a Wallflower

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To express the happier scenes, there will be a great use of two shots and wide shots. Really showing how open and loving the environment is around the pair, without having them say anything. I love the idea of having the characters emotions carry the story rather than the dialogue because I feel that a film can have a greater impact if the feeling is expressed to the audience through their emotion and body language. In having the happy scenes show great forms of love through each character, it makes his death that much more impactful even if it isn't exactly shown.

With these scenes in particular, I want to try to have the two of them be in the middle of the shot, creating a sense of balanced that was once lost in the beginning of the film. In having them be balanced, it makes the "flashback" scenes feel much more intimate and warm, as apposed to the cold and isolated feeling after his death.

Ex. Sixteen Candles

Media Theory Research

Thursday February 5, 2026

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After looking over each media theory, I have landed on incorporating the Binary Opposition Theory and Enigma Code; each of these will play a major part in my film opening. 

Like I mentioned in my past blog, using character vs. self will be a thing that I would want to incorporate within my main character. With the self conflict being her tearing herself apart and blaming herself for what happened. Her mind won't let her grieve the immense loss, and is instead attacking her overall being. This in return is what creates that character vs. self conflict within the story. It is such an important factor in representing the different ways that something as heavy as death can impact a character.

EX. In coming-of-age films

The BreakFast Club

- Each character has to push through stereotype to reveal their true selves to one another, each becoming vulnerable.

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This also goes hand in hand with the Enigma Code, as I won't be showing explicitly how he died; leaving it up to the audiences interpretation. There will be hints to it but I want viewers to figure it out as they watch; which further increases the deep and sad nature of my film. I feel like having that tiny sense of mystery surrounding it adds to the sheer impact that the story will have. In leaving that plot point unexplained/ up to interpretation expands the world that I am building, I want to leave the story off with people unfolding it themselves. 

EX. In coming-of-age films

Moonlight

- Chiron navigates his identity and sexuality without letting the audience in. The lack of knowledge the audience has about how he feels internally, in return drives the overall narrative of the story being told.

My Storyboard

Wednesday February 4, 2026

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Storyboards are so extremely important when it comes to deciding the overall look in your film; this includes which scenes will be used, camera work/ angles, and effects. I have accumulated a rough draft of my idea onto the storyboard bellow, I have carefully crafted the scenes to flow into one another and to make the story cohesive. However, there is some possibility that when it comes down to the filming process itself, I will make changes to the scenes that I have set in place. But for now, it is complete and I can't wait to share it!

Storyboard link - My Film Opening Storyboard

My storyboard bellow ↓

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Additional notes ↓

My Ideas

Tuesday February 3, 2026

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 My project will deal with major mental health issues intertwined with the coming-of-age genre. I wanted to do something that could move audiences and that I could execute well. I have had experience with mental health issues through loved ones, so I have seen and know just how much of a toll it can take on a person. 

My film will follow a high school girl consumed by her lovers death. The unfortunate events of his death unfolded before their graduation. Through this already hard time in her life, she finds herself slipping into the memories instead of facing the event head on. She is blaming herself for the tragedy and is reliving it through her dreams and everyday life. That sudden shift from adolescence to adulthood is already a huge thing, but adding the death of her boyfriend adds to the severity of the situation. It is still stuck in her head and she can’t climb out of the despair and grief. Through this, I want it to be something that people can connect to and feel. I will entitle my piece “Is He Breathing?” to subtle hint at the way in which he died. He let his mind take control and ended his life on his own accord, having her find him dead in the forest.

I want to utilize a flashback in time sequence that will provide context as to what happened. The main focus of the film will be on the girl and the toll that her boyfriends death has on her, even if he's not on screen. The flashback scenes will showcase the love that they had for each other up until the tragedy, and in having this sequence seemingly happen in her dreams, it provides the sense that this event is bleeding into the one place where she should have the ability to escape to. It is consuming her entire being and it makes audiences feel that sheer pain that she is still holding onto. The story cuts very deep, but I feel that I have a great understanding of the emotions that I want to portray through the characters.

In a way, along with my film being a coming-of-age story, I want to incorporate some character vs. self into it. As mentioned before, the death of her boyfriend is eating her alive and it is conflicting with her everyday life and within that I feel like there is a bit of self conflict involved. Even with his death being the forefront of the story, there is a bit of a dispute going on within herself. In her blaming herself for what happened, it is really important to show that to the audience because it is a real thing that happened when dealing with a situation as hard and deep as the one I want to portray.